Fine Heirloom Sewing, Smocking and Hand Embroidery

"Baby will be well and smiling in little garments made by Mother, Auntie, Grannie and loving friends!"

Please join me as I teach the old fashioned techniques and skills needed to sew baby clothes. You will find lessons that start at the very beginning and take you step by step as we sew little baby clothes together. May you find much joy and pleasure in making them.
It's easy and it's fun!!

Visit My Heirloom Sewing Webshop www.oldfashionedbaby.com




Showing posts with label Jeannie Downs Baumeister. Show all posts
Showing posts with label Jeannie Downs Baumeister. Show all posts

Tuesday, April 28

Machine Stitched Shell Hem

This photo appeared in Sew Beautiful magazine.
(We miss you Sew Beautiful magazine!!)

To see the instructions for the Machine Stitched Shell Hem…..visit Martha Pullen Company.

The Bubble and Cap above is from my Old Fashioned Baby pattern "Sweet and Simple Bubbles and Bonnets"  The embroidery design is on page 23 of my "Jeannie B's Book of Heirloom Embroidery Designs and Stitches" (2 pages in my book have designs created just for Daygowns and as you can see…Bubbles too).   I have a materials kit available for the above Bubble.   You will need the pattern and embroidery design to copy it.

This trim can be made and then stitched just  as you would use piping.  

Very cute and easy!


All Designs Are Copyright Protected copyright 2015 Jeannie Baumeister

Tuesday, January 20

Baby Rose View 2 with Scalloped Hem



Just changing the color of the fabric can make a big difference in the way a Baby Dress looks!
White is the classic color of Baby clothes.  Add a touch of pink embroidery and nothing is sweeter.


This dress has to be one of my all time favorites. 

 I made it for an article in Sew Beautiful magazine with the focus being - how to draft a Madeira Hem.  This dress has the scalloped hem in the front but a plain hem in the back.  What my friend calls a "Queen Ann front with a Mary Ann back".

I'm sorry but I don't know which issue this was in.
If any one of you knows, please tell.


The sleeve is attached with entredeux.  
It is also embellished with Maline Lace and embroidery.


The fabric is Swiss "Fairy Fabric".  The fabric actually had a #number to identify it but I thought this little dress looked like the fairies did indeed make it using such a sheer lovely fabric so I named it thus.  

This dress is a beauty!

All Designs Are Copyright Protected copyright 2015 Jeannie Baumeister

Sunday, January 18

Pink Baby Rose View 2

Today I will show my pattern "Baby Rose Raglan Dresses" - View 2
Still a fancy little Baby Dress but totally different than View 1.

I am using Pink fabric.
Bear Threads Pink Swiss Lawn is a good choice for this dress.
Other fabrics I recommend are Swiss Fairy Fabric and Bearisima 2.

All are lovely shades of soft pink.


The feature on this dress is the collection of tucks, lace and embroidery at the top of the Baby Dress.
Groups of tiny sets of tucks have lace insertion between them and the fabric is slightly gathered at the neck. 

Delicate but very sweet.

Accented with Featherstitching and Bullion Rosebuds.

In the above picture, you can see that I did not cut the fabric away from behind the lace.  This makes the dress less transparent and gives it a pretty old fashioned look.  

The dress is also much more durable.

Any time you cut the fabric from behind the lace, it is going to be a more fragile garment.

I added Lace Insertion to the sleeve which is included in the pattern directions (again, fabric is intact behind the lace) and I  attached the sleeve using Entredeux.  This was easy because of the raglan sleeves.

Entredeux always fancies up a dress!

The Baby Dress has a turned up (to the back) hem, with Lace Insertion placed just at the top where the hemming line would be.  Embroidery is centered above the lace.

Old Fashioned Embroidered Bullion Roses at the hem.

I like to put a label inside my Baby Dresses.

Baby will be well and smiling and ..

Pretty in Pink!!










All Designs Are Copyright Protected copyright 2015 Jeannie Baumeister

Tuesday, March 25

Teaching at Farmhouse Fabrics Day 2

On Day 2 at Farmhouse Fabrics we made progress on our Dress.  We finished stitching lace insertion on the yoke, and cut  out our dress.  Then we began construction.

We attached entredeux to the neck edge the Old Fashioned Method.  I love the way this finishes the edge so neatly.  To see "how to"…click HERE.

Looking good!!!

And we shopped some more!

See all those bins on the right of the picture?  They are FILLED TO THE BRIM with lace.  No kidding!!  It's an Heirloom Stitchers paradise here.


I brought some of my OFB garments to show. 
Pressed all nice and neat.

And Carolyn brought an old pattern to show me.  

I loved seeing this sweet little baby dress pattern. Thank you, Carolyn.  
  (She brought a cute Daygown and slip too but I forgot to photograph it. rats)

 Very Old Fashioned Baby!!



All Designs Are Copyright Protected copyright 2014 Jeannie Baumeister

Tuesday, April 30

Saga Retreat Was Great Fun!

Jane Brisco, Cindy Foose and Gail Doane waiting for our flight.
The Saga Retreat started for me at the Detroit Airport.  
I met up with Sewing Friends for the final flight into State College, PA.

My Friday class was "Daygown Design and Application"
I loved this 9 hour class.

We learned how to change about a pattern to get different looks.
Then the students began designing their own Daygowns.
It was like Project "Daygown" Runway!!

There were great ideas being formed and I enjoyed seeing the creative process go to work!
 
This will be the Daygown back.  It will have the center pleat at the back with a tuck on either side of the center pleat.  I love this look!

A sleeve was designed and stitched in class!

She used the Shadow Embroidered Bows from my Embroidery Book.
Someone brought in Daygowns she had made using my pattern "Sweet and Simple Baby Daygown Collection".

Love the color choices.
I love it when students bring in garments they made using my OFB patterns!!

This design is on page 30 of my Embroidery Book.

The Daygowns had slips. 
 The ruffle on this slip was finished with the Shell Hem.
Very pretty and economical too!

A pretty touch of lace was added at the hem on this Daygown.
The lace design came from my Baby Daydresses Pattern.

Her garments were all very pretty and a delight to see.

Each teacher had a small market in their Teaching Room after class.
That was fun, too!

more to come about the Saga Retreat...


All Designs Are Copyright Protected copyright 2013 Jeannie Baumeister



Friday, February 19

Stitching By The Fire and a Tip

Embroidered Collar.
Although I am not making this dress, this is the pattern I am using for the dresses I am working on for my SB article.
Tea time by the fire.  Earl Gray is my favorite tea.  With chocolate Graham Crackers.  Yum!
I spent Friday morning stitching by the fire, which I have come to love.  I  had to work though because of my newly discovered deadline.  So,  I did the same thing I do when I am having fun.  I stitched!

Neckline Tip
Especially when you are working with  fabric that ravels,  be sure to stay stitch the neckline.  
Always stitch from the center toward the shoulder.  If this had not been linen, which is prone to fray, I would have waited until the front and back were stitched together before I stay stitched the neck.  Then I would have stitched from the center front to the very back of the neck.  Stitch just inside the seam allowance and use a short stitch length when stay stitching.

Sunday, February 7

Dream Stitches: Baby's Layette

Portrait of a Victorian infant by Henry Norman  featured in the Dream Stitches Exhibit.    Photo was from the collection of Joan and Thomas Gandy
 In 1997,  I was honored to be the Guest Curator for an exhibit of the Louisiana State University Textile and Costume Gallery.  The exhibit provided  a comprehensive look at infants clothing used in the late 1800s and early 1900s.
Click on Photo to enlarge.  Dream Stitches poem from Aunt Kate's Day-By-Day Book, 1937
This poem melts my heart.  And it is just as true today!
That's why we love to stitch for Baby!

  In addition to the display of clothing, I collected information about early sewing techniques and customs regarding infants to include in the exhibit.  I named the exhibit "Dream Stitches: Baby's Layette" because of the poem shown above.  Both the picture and poem were part of the Museum display. They were also included in the printed brochure.  This wonderful exhibit ran for one year.
 Co- Curators were Dr. Jenna Kuttruff and Pamela Rabalais Vinci.  They did  the work while I had all  the fun of researching and  designing the exhibit.  

Wednesday, September 16

Lesson 3: Cut out and mark Daygown


It's now time to lay out our fabric, cut it and mark it.  Are you with me?? You can click on the pictures to make them larger.


1. Your Instruction Guide for Priscilla's Layette is the valuable tool that tells you what you need to know to make your garment.  It will tell you the order to put the pieces together and the method that should be used to put them together.   So get your Instruction Guide out. You should have already read the instructions for review.  We are making View 2.  The instructions refer us to View 1 for the layout guide.   You will use the pattern pieces listed in View 2 and follow the layout in View 1.  I am using the shorter (3/4 length) sleeve but if I lived in the North, I would use the long sleeve for View 2.  You need to cut apart the pattern pieces you will use (do not cut around the lines like a paper doll, just separate them).  I like to press mine with a dry iron to flatten them.  Be gentle so the pattern  doesn't tear.

2.  Layout - Fold the fabric as directed with selvages meeting.  Smooth out all the wrinkles.   Lay the pattern on top of the fabric as directed on the Layout Guide. Use pattern weights to keep each pattern piece in place while you arrange them.  When you have them just right, then you are ready to pin them in place.  This saves you the unpleasant task of unpinning the pattern to re-arrange it.

Pattern arranged on the fabric and held in place with Pattern Weights 
 

The Layout Guide shows the Bias for the sleeve and also for the Neck.  There is a Bias Sleeve pattern piece, but not a pattern  piece for the neck.  We are told to cut out the Neck Bias  using the measurment in Step 4.  We need to plan for this as we lay out our pattern on top of the fabric.  We need to make sure there is room for the neck bias.


Close up of three of the "OFB Vintage Look Pattern Weights" used to hold the pattern.

3.  Bias Binding - The fabric must be cut on the "true" bias (45 degree angle).  It is easy to do this if you have a ruler with the 45 degree angle on it.

Place the 45 degree line along the selvage of the fabric.  Use a fabric marking pen or pencil and draw the bias line.  Step 4 tells us the Neck Bias should be 12 1/2" long X 7/8" wide.  Draw the line 12 1/2" long.
I like to use my smaller 2" X 18" gridded ruler to trace the width (7/8").  It is more accurate because I can see the line easily. Trace the correct size.  You now have the Bias Neck band on your fabric.  We only need one piece for the neck but it is just as easy to cut two.   Shown here is a Neck Bias that is the same color as the gown.  Mine will be red/white mini gingham so I will use a separate piece of fabric to cut my bias.  It will require almost 1/3 yard of fabric to make.





 4.  Pinning the pattern - We want to make sure the pattern is laid onto the fabric correctly before we pin it in place.  Read the markings on the pattern pieces.  The Daygown Back must be on the Fabric Fold.  The Daygown Front is placed  along the selvage.  We don't want to line the pattern up right along the selvage because the fabric weave is tighter there and can cause your gown to pucker.  We will avoid the edge and move our pattern piece in about 1/2" to 3/4".


The black cutting line of the Daygown Front is placed a short distance from the selvage.
The seam allowance for this Daygown is not large (1/4" and 3/8" in places) so it is important to pin the pattern securely to the fabric.  If the pattern slips while you are cutting, you can change the seam allowance which will affect the garment pieces going together nicely.

Pins are placed along the cutting line, closely spaced.  Take care that corners and curves are secured.
When we pin the sleeve, we need to make sure it is pinned on the straight of grain of the fabric.  This affects the fit and is very important.  Pattern pieces that are not placed along the selvage or the fold usually have a Grain Line printed on the pattern.  It is a straight line with little arrows on either end.  The Grain Line needs to be parallel to the selvage of the fabric.






  
Line up the ruler with the grain line and the selvage.

 Here you see the ruler lined up with the grain line.
Line the ruler up with the grain line.  Both the grain line and the selvage should be straight.

5. Cutting Out - Cut on the outside of the black cutting line.  If you cut inside the black cutting line, you are cutting the pattern smaller than it was designed to be.


I like to use a 7" Scissor instead of the larger, more standard size.  I find when cutting out little garments, I have more control of the scissor when it is smaller.



6.  Marking the fabric -  It is important to mark the pattern before unpinning.  Your pattern guide will tell you what you need to mark.






Insert Pins at the top of the buttonhole and use a fabric marker to mark them.
Do the same to mark the dots that show where fabric will be gathered.




An easy way to mark buttonhole placement is to insert a pin at the top of every buttonhole and mark with a fabric marker .  That will insure that they are correctly and evenly spaced.  Use a fabric marker to mark a dot where the pin is. Later, when you are ready to sew the buttonhole, use the button to get the correct length.  We will mark the entire buttonhole later, when we stitch them.  Use the same method to mark the dots that indicate where the gathering will be.  It is also used to mark the back of the sleeve so you can tell it from the front.  The pin goes all the way through the fabric so you can mark both sides.

Mark the foldline for the front facing at the top and bottom  and use a ruler to trace the entire fold line.  Only the inside fold line needs to be marked (the line farthest away from the edge of the fabric).


Place a piece of masking or painters tape on the wrong side of each piece of fabric.  It is important to know the right side from the wrong side.  If the tape does not stick, use a tiny safety pin.  Keep the pattern piece attached to the fabric with one pin until you are ready to sew that piece.

All ready to begin sewing.
Please let me know if this information is useful by leaving me a comment or a question.  I will answer them as often as I can.


Next Lesson - Begin Sewing.  Make sure your Sewing Machine is clean and in good working order!!
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